Biche

Meddy (drums) and Loïck (guitar & vocals) are Biche; a sludge duo from Riems in France, and this self released album has them plying their wares across six tracks.

I can just imagine them recording this facing each other as they play through each song, stretching out the riffs and splashing the cymbals everywhere.

Opener Agrafe-moi les couilles sur une table à repasser gives way to the more frantic 75 seconds of SUSU! and across these two tracks you get a taster of what Biche are about.

For a duo, they certainly get the ol' foot tapping, ears straining to understand Loïck's gravelly vocals over the fuzzed up guitar.  A very focussed recording that sounds surprisingly warm yet sparse.

6 Millions starts slowly – but  Loïck is on fine form vocally, tortuous rasping screams giving a proper sludge edge to proceedings.

Closing with the gritty, foreboding Un bon dimanche, this release is a very enjoyable introduction to the French duo, I'll be keeping an eye on them! 

http://biche.bandcamp.com/

Artaius - The Fifth Season

This is the début album from Italy's Artaius, containing a number of different moods and even musical styles, a great way to start off our return to reviewing with such an eclectic record.
On Italy's Moonlight Records, The Fifth Season is probably best described as a progressive-folk-metal album, although those three terms tacked together don't do it any justice.
The folk overtones come from some of the more unconventional (in metal, at least) tones of the flute and violin, which give an almost mediaeval feel to passages in the music.
Sara Cucci's vocals float over the wistful, folksy melodies provided as a backdrop by the rest of the band, who will step sideways freely to more metallic sounds frequently.
There would always be the possibility of such a juxtaposition sounding forced, but not here.
There is an almost Genesis/early Marillion-esque feel to the keyboards at least in some places (see the festival sing-along of Over the Edge, for instance), and there are even elements of Jazz present in places, and sombre piano sections.
The flute doesn't sound out of place here, often trading off passages against the keyboard, and it got me thinking of appearances of woodwind in metal – surely there's not too many?
I'm prepared to be wrong though. La Vergine E Il Lupo is the stand-out track for me, showcasing everything about the band in just under five minutes.
All in all, a very European romp through some sounds probably not visited too often by Thee Claw – but a refreshing change!

Available through Moonlight Records (Italy)
http://moonlightrecords.bandcamp.com/album/artaius-the-fifth-season

Beastwars – Blood Becomes Fire

Let the Soul Awaken!

New Zealand's Beastwars return with the follow up to their critically acclaimed (not least of all by us) self-titled release, and what a follow up it is.

With Dale Cotton sitting in the chair again, the band ensconced themselves in the studio and have bettered themselves yet again with this collection of tracks.

Straight from the off, Dune conjures up images of a stricken shuttle burning it's way through the atmosphere of a desert planet, it's horrified crew staring out of view-holes as they cling on for dear life. Matt's vocals boom out from within the band, Nathan pounding the kit in time with James rumbling through the basslines, as Clayton riffs over the top sounding like a room full of guitarists.

I've seen many bands and many in-vogue styles of metal come and go, but it's been a while since a band has come along that I can just sit back, close my eyes and create movies in my mind's eye as I listen to their records.  Beastwars do just that to me, a tradition carrying on from the last album into this one.  That's not to mean that it's business as usual – obviously, expect the fuzz laden sounds that we are used to, but the record just sounds more mature and rounded than the self-titled release did.

On Caul of Time, Matt's vocals take on a tortured, wailing feel in places as the band chug away behind him, before coming to the fore to work the riff into your mind.

The album closes with The Sleeper – an epic, slightly trippy track that gradually distorts and mutates into a writhing beast of flailing bass strings and lead guitar breaks. 

Timeless.

Get yourself over to http://beastwars.bandcamp.com/album/blood-becomes-fire Now.

Beyond Description – An Elegy for Depletion

With a seemingly eternal career, Japan's Beyond Description step up to offer up some pretty powerful thrash metal, in the great eighties sense, none of this modern nonsense here.
As you may be aware, I'm not a big fan of modern-sounding thrash metal, which is why the likes of Beyond Description and the UK's Hybris appeal so much to me.
Breakneck drumming here and fast picking are the order of the day here, Hideyuki's vocal delivery is very clear, more Tom Araya than Mille Petrozza.
As with most of my favourite thrash, the music is given plenty of room to breathe, it's a very guitar-oriented album although Hiroshi's drumming is a joy to listen to and holds the songs together tightly. As with all classic thrashers, the mosh parts contain lead breaks – I absolutely love it!
Arbitrage is probably the stand-out track on the album for me, early Sepultura style riffing giving way to a No-Remorse style mosh part before plunging head first back into the speed riffs, although Provocation (in which Yusuke's bass is given more space to make itself heard) is also a top-rate track, and just listen to the drumming on Purpose!
Great stuff, out now on Punishment 18 Records.

A389 Recordings Digital Mixtape MMXIII

INTEGRITY: New Track Available Via Free Annual A389 Recordings Label Mixtape

Following recent A389 Recordings announcements on some of the label’s biggest priority titles to date -- including brand new LPs from INTEGRITY, FULL OF HELL and NOISEM -- today the label sets its ninth annual label mixtape/digital compilation loose upon the masses. The owners of Baltimore-based A389 have been offering similar free mixtapes every year since its’ foundation in 2004, utilizing it to unleash music from their most high-profile acts, as well as to shed some light on releases lying in the dark corners of their intense roster.

With a punishing forty tracks culled from an array of artists, the A389 Recordings Digital Mixtape MMXIII includes several brand new and exclusive new tracks, including the world’s first exposure to the highly anticipated upcoming LP from the almighty INTEGRITY, Suicide Black Snake, here releasing the monstrous track “Beasts As Gods.” An arsenal of others including EYEHATEGOD, IRON REAGAN, NOISEM, HOMEWRECKER, FULL OF HELL, WEEKEND NACHOS, SHIN TO SHIN, RINGWORM, SEVEN SISTERS OF SLEEP, LEFT FOR DEAD and more overthrow the nearly two hour-long beating, the entire collection mastered at Audiosiege by Brad Boatright (From Ashes Rise) and bearing original artwork by Joshy Brettell (Ilsa, Exosus). This newest installment boasts the best yet in this ongoing series, showcasing A389 as an extremely hard-working extreme D.I.Y. label which continues to expand its horde and further infiltrate the planet with prime hardcore and metal releases.

CLICK HERE TO DOWNLOAD THE A389 RECORDINGS DIGITAL MIXTAPE MMXIII FOR FREE RIGHT NOW!

With notable and seminal releases from heavyweights including XIBALBA, RINGWORM, THE LOVE BELOW, INTEGRITY, PULLING TEETH, ROT IN HELL, PALE CREATION, GEHENNA and more on their roster, some of A389’s most recent contributions include LIKE RATS’ self-titled 7", SEVEN SISTERS OF SLEEP’s Opium Morals LP, IRON REAGAN’s Worse Than Dead, the YOUNG AND IN THE WAY/WITHDRAWAL split 7" ILSA’s The Maggots Are Hungry LP among a sea of others.

Review copies of the new albums from INTEGRITY, FULL OF HELL and NOISEM will be made available in the coming days. Much more on these and a rash of other upcoming A389 releases and tours is pending so stay tuned.

A389 Recordings Digital Mixtape MMXIII Track Listing:

1. EYEHATEGOD "New Orleans Is The New Vietnam"

2. IRON REAGAN "Drop The Gun"

3. HOMEWRECKER "Chained Hanging Victim"

4. NO ONE SURVIVES "Fuckin' Pigs"

5. INTEGRITY "Beasts As Gods"

6. ILSA "Foreign Lander"

7. FULL OF HELL "Coven Of The Larynx"

8. NOISEM "Severed"

9. WEEKEND NACHOS "Watch You Suffer"

10. EMPIRE OF RATS "Untitled"

11. PICK YOUR SIDE "Bleeding Out"

12. GOD'S AMERICA "Fill The Cracks"

13. LIKE RATS "Red Dawn"

14. MOLOKEN "Casus"

15. THE GUILT OF... "Election Of The Severed Hand"

16. SEVEN SISTERS OF SLEEP “Ghost Plains”

17. YOUNG AND IN THE WAY "Psychopathy"

18. SICK FIX "Beyond The Map"

19. ANCIENT SHORES "Omen"

20. SHIN TO SHIN "Shin To Shin"

21. VILIPEND "Fool's Gold"

22. LEFT FOR DEAD "Kept In Line"

23. GEHENNA "Baptized In Fallout"

24. BLIND TO FAITH "Blood Like Water"

25. RINGWORM "Necropolis" (1991 Demo)

26. CYNARAE "Harbinger"

27. JARHEAD FERTILIZER "Drowning"

28. THE LOVE BELOW "Let Them Eat Shit"

29. EDDIE BROCK "Boys Of Summer"

30. COUNTDOWN TO OBLVION "Spray P.E.C."

31. UNHOLY MAJESTY "Night Of Lead"

32. CLASSHOLE "Full Of Hate"

33. OLD LINES "Temple"

34. CALM THE FIRE "Chce Mi Siê Wyæ"

35. ENFORCERS 'The End Is Near'

36. PHARAOH "Spared"

37. JUNIOR BRUCE "The Burden"

38. WITHDRAWAL "Guardian Angel"

39. NOTHING "The Rites Of Love And Death"

40. PLEASANT LIVING "Friday Night”

http://www.a389records.com

https://www.facebook.com/a389recordings

https://twitter.com/a389recordings

They Used Dark Forces.

Cathedral have released their latest (and last, apparently) video, Tower of Silence. It's a fitting epitaph for a group that carried the flame of traditional doom for a long time through some very dark ages. Part music video, part Hammer/Ossorio gothic horror, the lads here at Thee Claw will be very sad to see Cathedral go. But don't just take our word for it. Have a look, and worship the riff.

Beastwars stream new track

You're obviously well aware of how highly we rate Beastwars here, and whilst I'm dragging my heels reviewing their latest belter of an album Blood Becomes Fire, here's a little bit of news for you: Beastwars are proud to offer the free download of "Caul of Time" from their critically acclaimed new album Blood Becomes Fire. Due for release April 19, Blood Becomes Fire is gathering rave reviews and is already being heralded as one of the best metal records of 2013. "Caul of Time" is available now for free download from www.beastwars.bandcamp.com Or....you could listen to it here.

The Jeffrey Uppercut - Live Hard

When an EP starts off with a sample of Begbie from Trainspotting just after he's launched a pint glass off a balcony onto some lass's head, not only are getting a taster of what is about to come, you are shitting yourself before a note has even been played. So it is with Live Hard from The Jeffrey Uppercut.

 Like the ultimate crossover album that the Exploited always wanted to make but were too busy being a cartoon parody of themselves, Live Hard rattles your speakers with some street level, hardfaced raw punk rock.
 The ferocity of the songs is staggering, straight on from the speech from King Begbie, From Order to Disorder smashes right into you before slowing down to almost a crawl with double kicks and screeched vocals, before a squeal of feedback and a one two three four into Streetlights, which is streaming at the end of this review.
The title track is a one hundred second long beating with a boss shout-along at the end, and is followed up with Get the Fuck Out of My Way - together, surely three minutes of the toughest sounds that will be committed to disc this year.
Samples of bar room brawls and just honest to goodness scrapping permeate the chugging riffs and barked vocals, I bet their live gigs are an absolute riot!
The sheer anger at the end of Naive has to be heard to be believed, too. Rounding off with Cunt, a song that slowly builds into a hunchbacked, sneering monster; the lyrics only consist of three words, and the song only needs three words to make it's point.

 Live Hard was produced by Tom Dring (Dragged Into Sunlight, Corrupt Moral Altar, Iron Witch) and it gives this punkiness a sludgy, metallic edge. If you imagine all the violent punk that you can think of (all the Boston hardcore like SS Decontrol, Negative FX, Blood for Blood, also stuff like WBTD etc for starters) and give it a rougher English working class edge, then you have The Jeffrey Uppercut. The EP should be out in the next few weeks, until then get a load of these tracks:

 
Get over to their sites and check 'em out, they are also set to play the PDSA all dayer in Kirkdale, Liverpool soon (which is a great price for a good cause):
Facebook: http://www.facebook.com/TheJeffreyUppercut
Bandcamp: http://thejeffreyuppercut.bandcamp.com/
twitter: https://twitter.com/jeffreyuppercut

Is this the best flyer EVER?

Brilliant.
This is coming up in June at Bannerman's in Edinburgh. A flyer like this demands your attendance!

FULL OF HELL Discharges Track From Impending A389 LP Via Noisey/Vice

With a bestial eruption of noise-drenched/death-fueled hardcore which has set the underground ablaze in the past several years, crushing quartet FULL OF HELL will unload their newest sonic assault, Rudiments Of Mutilation, late this Spring via A389 Recordings.

 Responsible for releasing an epidemic of demos, singles, splits and a previous LP constantly since their inception only four years ago, FULL OF HELL create a barrage of whiplashing metallic hate, psycho-drone feedback holes, and wall noise-drenched pedal attacks a noxious brew of Converge, Cursed and Pageninetynine gone the ways of Bastard Noise, early Napalm Death and Discordance Axis. The young crew performs their live shows with incredible conviction, catapulting their energetic hatesurge into the audience and inspiring all-out melees amongst the humans. Rudiments Of Mutilation captures more of these aspects than any previous recordings, penetrating with the most corrosive blasting attacks and noise infiltration from FULL OF HELL yet, recorded with Kevin Bernsten at Developing Nations and mastered by James Plotkin (Khanate, Old, Phantomsmasher).

 Today Noisey, Vice Magazine’s music channel, drops the brutalizing third track from Rudiments Of Mutilation, the putrid “Coven of the Larynx” -- BLAST IT HERE.

 An A389 priority, FULL OF HELL will dispense Rudiments Of Mutilation on LP, CD and digital delivery June 11th alongside the massive debut from thrashers Noisem and the newest album from the iniquitous Integrity. Following very recent tours with Gaza, Code Orange Kids, Homewrecker shows through this year’s SXSW and more, FULL OF HELL already has a massive tour schedule planned for the coming weeks and more lining up through the Summer, including tours with labelmates Integrity, Gehenna, Seven Sisters of Sleep and others, performances at this year’s Maryland Deathfest and Chaos In Tejas, and a pending European tour, for starters.

 FULL OF HELL Confirmed Live Actions:

4/25/2013 Mosh Basement - Newburgh, NY w/ Raindance

4/26/2013 No Problemo - New Bedford, MA  w/ Raindance

4/27/2013 Steven’s - Hoboken, NJ w/ Raindance

4/28/2013 Gallery U - Bethlehem, NY

5/22/2013 The Zebra Club - Long Island, NY w/ Gehenna, Homewrecker

5/24/2013 Maryland DeathFest 2013 - Baltimore, MD

5/27/2013 Kingdom - Richmond, VA w/ Integrity, Gehenna

5/28/2013 Motorco Music Hall - Durham, NC w/ Integrity, Gehenna, Young And In The Way

5/29/2013 The End - Nashville, TN w/ Integrity, Gehenna

5/30/2013 Siberia - New Orleans, LA w/ Integrity, Gehenna

5/31/2013 Hotel Vegas - Austin, TX @ Chaos In Tejas w/ Gehenna

Celebrate the CruciFiction

Good Friday in Liverpool sees a gathering of Black and Doom Metal bands at the Lomax, four bands for £5.

Driving in the nails will be Chisham's PRIMITIVE GRAVEN IMAGE, Liverpool's very own NINKHARSAG (who are streaming their full album here) and CRYPT LURKER, and from the other end of the frozen M62, Mancunia's WODE (whose demo we reviewed here and you can check out here.)

I should be there for at least some of this so be sure to get hold of me and gimme copies of your demos!

I drink bitter, by the way.

Seagraves - WRONG

Further to our earlier post with a review of the new Seagraves CD Weight of the World, Jez Walshaw kindly got in touch to remind us you can all check out the official video for the track WRONG online.
And where can you see this visual feast? well, look no further than after these words!

Iron Hearse - Get in the Hearse

YEEEEEEEEEEEEEEEEEEEEAH!!!
I'm going to come straight out now and tell you how happy this CD has made me.
Much like the XII Boar and Mage CDs that have dropped onto the mat at Claw Towers this past few weeks, this has just made me think of being on summer road-trips to far off cities for gigs; it's fuzzed-out biker style world-weariness immediately becoming the soundtrack to as yet only imagined motorway races, a crate of beer between your legs as you ride shotgun.

But anyway, enough of my imagination, what's it actually like?

The lads from Wiltshire (actually not far from Malmesbury where I lived for a bit as a young lad)
 have a sound that owes as much to the darkened back rooms of pubs during the days of the NWOBHM as it does to the sunny climes of LA and Saint Vitus, and on this, their second full album, they have fashioned the skills from years of gigging into seven new tracks and a re-working of their live anthem Ain't No New Thing.

It's equal parts thundering rockers and fuzzed-out toe-tappers, in parts Sabbath-esque passages sit alongside parts that remind me of Angel Witch and so on, putting a uniquely English slant on what some would consider a more transatlantic sound.

Throughout the record there are some great lead guitar parts that put me in mind of Dave Chandler, courtesy of Grant Powell, who also handles vocals with a gruff, biker-style delivery which also stretches to almost Sean Harris territory at times.
Being a three peice, the sound is rounded out by Liam and Kev on bass and drums respectively, and this is a very low-end heavy sounding band.

A brilliant soundtrack for what looks to be a great summer for fuzzy British metal!

For Fans of: Saint Vitus, Sabbath, Angel Witch, Diamond Head, Orange Goblin

Stream it here, download for £2.50, and if you want to pay a fiver you can get a rather smart "vinyl CD" version which is an LP style sleeve with probably the coolest looking CD I've seen for ages:

Other links to check out:
https://www.facebook.com/ironhearse
https://twitter.com/Ironhearse
http://ironhearse.bigcartel.com/

DO IT!!

Seagraves - Weight of the World

Leeds veterans Seagraves return with a five track release Weight of the World, and it's good, dark hardcore punk rock.

Opening track Hollow Lies is a mid-paced track that sort of lulls you into a false sense of security before Seagraves smash you in the mouth with the second track Dreams are for Fools, with it's stop-start riffing and staccato double-bass attack, also jamming out some filthy grooves too.

Obvious, lazy comparisons are bound to be drawn, and there's a definite sound of your scene heavyweights like Converge et al, who the band have toured with, but I'd say the band remind me more of a homegrown World Burns to Death, especially on tracks like the title track here, which barrels along like an out-take from The Sucking of Missile Cock by the aforementioned WB2D.

Blood Runs Black is full of surprising twists and turns, a lot more melodic than I was expecting, and the final song, Wrong, is more furious breakneck kängpunk violence, which leaves you dazed, and (with the whole thing over after about 15 minutes), rather perversely, wanting another kick in the face at the end.

A cracking, powerful release reccomend for fans of Converge, World Burns to Death, His Hero is Gone, Botch ETC.

www.facebook.com/seagravesuk 
www.seagraves.bandcamp.com 
seagravesuk@gmail.com 

www.witchhunterrecords.bandcamp.com 
witchhunterrecords@gmail.com 

You know we're excited about this.

In 2011, sludge metallers Beastwars transformed New Zealand's heavy music scene with their internationally acclaimed, multi-award-nominated debut. On 19 April 2013, the Wellington-based four-piece return with their highly anticipated new album, Blood Becomes Fire.

Abiding by Beastwars' own steadfast maxim, 'Obey the Riff', Blood Becomes Fire features 10 songs that serve witness to the end of days, told through the eyes of a dying traveler from another time.

"It's a reflection on mortality, death and disease. Sooner or later they come for all of us," says vocalist Matt Hyde.

"It’s a heavy album, both sonically and lyrically," says drummer Nathan Hickey, "but what solidifies it are the triumphant 'fuck yeah' riffs. To us, this music is like getting psyched up to go into battle. You could be at war with yourself, or someone else."

Following a successful collaboration on Beastwars' debut, Blood Becomes Fire was co-produced, recorded and mixed by Dale Cotton (HDU, Die! Die! Die!), mastered in California by John Golden (Neurosis, Swans, High on Fire), and features the art of Weta Workshop's award-winning Nick Keller—whose mind-melting gatefold oil paintings depict a twisted world inspired by the aural artillery within.

Beastwars formed in 2007, and their self-titled debut was released in 2011. It went in at #15 on the national charts, was shortlisted for the Taite Music Prize and nominated twice at 2011's New Zealand Music Awards, was a successful vinyl release, and topped Bandcamp's most downloaded lists.

Beastwars' reputation as a commanding live act has been secured with sold-out shows on multiple nationwide tours, and the band was hand-picked to support acts such as High On Fire, the Melvins, Kyuss Lives!, Kylesa, Black Cobra and Fu Manchu on their New Zealand tour dates.

Streaming audio sample and limited edition pre-order merch bundles of Blood Becomes Fire are available now at  www.bloodbecomesfire.com. These include 100 gold and red split colour LPs with gatefold art, which come with custom Beastwars guitar picks.

Following the release of Blood Becomes Fire, Beastwars will tour Australia and New Zealand supporting John Garcia's post-Kyuss band, Unida, before headlining their own shows in May. 


Tracklisting
1. Dune
2. Imperium
3. Tower of Skulls
4. Realms
5. Rivermen
6. Caul of Time
7. Ruins
8. Blood Becomes Fire
9. Shadow King
10. The Sleeper

Beastwars
Clayton Anderson – Guitar
Nathan Hickey – Drums
Matt Hyde – Vocals
James Woods – Bass

Contact
promo@destroyrecords.com
http://www.facebook.com/beastwars666
http://www.beastwars.bandcamp.com

Most intense shopping trip ever

"...yes, but before you buy, you must answer this short quiz..."

Yes, we have our copy of The Underground Resistance, and yes, it's knocked even us sideways.

What else did we expect!

A389 Sign Necropsy

"A389 is stoked to announce the addition of Baltimore's NECROPSY to the label's roster.  The band's debut LP/CD 'Agony Defined' 

is a nine-track thrash/death metal assault loaded with precision shredding and the manic raw energy that made those early Morbid
Angel, Slayer and Cannibal Corpse so great.  And the kicker is...the oldest member of the band is 20 years old!  

Read an exclusive interview Josh Sisk did with the band for DECIBEL MAGAZINE and listen to the track 'Voices In The Morgue' below

http://www.decibelmagazine.com/featured/a389-records-announces-the-signing-of-necropsy-and-make-my-life-easier-in-the-process/ "

UPCOMING NECROPSY SHOWS

03/09 Baltimore, MD @ The Sidebar w/ ILSA, Windhand, VYGR, Passengers
03/17 Baltimore, MD @ The Nerve Center w/ No Qualms, Knife Hits, Cold Inside, Endless Bummer
03/22 Silver Spring, MD @ The Pyramid Atlantic
4/12-13 Washington DC @ Damaged City Fest w/ Negative Approach, DropDead, ILSA, Sick Fix + Tons More5/23 Baltimore, MD @ Maryland Death Fest w/ Bolt Thrower, Evoken, Abigail and more

NECROPSY 'Agony Defined' 12"/CD/Digital

Coming May 2013 on A389 Recordings

Disributors/Stores please contact: kristin@cobraside.com

For interviews or any other inquiries please contact: jlr@a389records.com

www.necropsybaltimore.com

www.a389records.com

a389.tumblr.com
www.facebook.com/a389recordings

http://a389recordings.bandcamp.com

www.twitter.com/a389recordings

FULL OF HELL Announce new album!!

Following their successful outing with Gaza/Code Orange Kids and on the verge of slash and burn campaigns of destruction towards SXSW, MDF and Chaos in Tejas, FULL OF HELL have announced a spring release for their anticipated new full length! Rudiments Of Mutilation (A389 Recordings), as revealed by Invisible Oranges, will follow-up a slew of split 7" releases (The Guilt Of..., Calm the Fire and Code Orange Kids) and the band's critically acclaimed 2011 debut Roots Of Earth Are Consuming My Home. Kevin Bernsten (Developing Nations) has returned to record the effort, while mastering was handled by James Plotkin.
Full of Hell is preparing to hit the road with Cleveland's own Homewrecker, following-up their successful outing at SXSW last year that saw them annihilate the crowd at the BrooklynVegan/Power of The Riff Deathmatch (alongside High on Fire, Trash Talk & more). The spring will bring another set of dates, when the young band will team with like-minded veterans Integrity and Gehenna for shows that will include appearances at the legendary Maryland Deathfest and Chaos in Tejas.
Combining the feedbacking nihilism of Bastard Noise, the needle-tracked sludge of Eyehategod and blasting that would sit comfortably beside Utopia Banished-era Napalm Death, Full of Hell is exploring new realms within grindcore, negative hardcore and just plain antisocial behavior. 'Rudiments of Mutilation' promises to be one of 2013' most dissonant and tinnitus inducing offerings to date.
Numb Your Mind.
FFO: The Endless Blockade, Cursed, Iron Lung, Pg.99, Magrudergrind, Swans, Napalm Death, Eyehategod, Bastard Noise

CHECK OUT A FULL SET FROM FULL OF HELL ON VIDEO: Full of Hell live at Talent Farm
CHECK OUT FULL OF HELL'S SCATHING "FOX WOMB" VIDEO: Full of Hell - "Fox Womb"

FOH/Homewrecker Tour Dates:
3/9 - Lansing, OH - Hellbent Fest III
3/10 - Indianapolis, IN - Hoosier Dome
3/11 - Chicago, IL - Alderaan
3/12 - St. Louis, MO - Fubar
3/13 - Springfield, IL - Lemon Drop
3/14 - Broken Arrow, OK - House Show
3/15 - Austin, TX- SXSW
EVENING SHOW: Annex 1808 w/Loma Prieta, Mutilation Rites, Power Trip + many more
LATE SHOW: Pearl Street Co Op w/Loma Prieta and Lemuria
3/16 - Austin,TX - SXSW
EVENING SHOW: The North Door w/ Pallbearer
LATE SHOW: The Clit Pit w/Loma Prieta, Illustrations
3/18 - Denton, TX - Macaroni Island
3/19 - Little Rock, AR - Soundstage
3/20 - Decatur, AL - Excalibur Vinyl and Vintage
3/21 - Atlanta, GA - WonderRoot
3/22 - Columbia, SC - 929 King Street
3/23 - Washington, DC - La Casa

Gehenna/Full Of Hell Tour Dates:

5/22-Long Island,NY
5/23-Philadelphia,PA
5/24-Maryland Deathfest*
5/25-Maryland Deathfest*
5/26-Maryland Deathfest*
5/27-Richmond,VA*
5/28-Durham,NC*
5/29-Nashville,TN*
5/30-New Orleans,LA*
5/31-Chaos in Tejas*
6/1-San Antonio,TX
6/2-Chaos In Tejas
6/3-El Paso,TX
6/4-Phoenix,AZ
6/5-San Diego,CA
6/6-Pomona,CA
6/7-Murrieta,CA
6/8-Santa Ana,CA
6/9-San Francisco,CA
*w/ Integrity

Full of Hell on Facebook
A389 Recordings

Seagraves pre-order

Listen - http://witchhunterrecords.bandcamp.com/

Buy - http://witchhunterrecords.bigcartel.com/

Video for 'Wrong' courtesy of Monster Riffage can be found here
www.youtube.com/watch?v=qCfrIiX4Etg 

Distinguished veterans of the Leeds scene, Seagraves are 4 men on a mission to combine the vitality & unchecked rage of 90s noisecore with nihilistic D-Beat crust. Having spent the best part of the last decade in various projects touring the Europe with Converge, Norma Jean, Cancer Bats & other massive names, it was time to regroup in a dingy practice room & hammer out some heavy jams.

Formed in early 2012, Seagraves draw influence from the turn of the century hardcore & crust movements. Easy comparisons to Botch & The Hope Conspiracy can be drawn but the sound is underpinned by the dirtier punky tones of His Hero Is Gone, Cursed etc.

Debut EP Weight of the World was recorded by Kris Barker at Panacea Studios (Needs Fire, Shoot the Bastard) & is to be put out by Witch Hunter Records ion February 24th 2013. A heavy gigging schedule is planned to follow this release & a promo video for 'Wrong' filmed by Monster Riffage launches too

Limited to 150 copies, this CD comes in a hand-crafted gatefold manilla card sleeve, with a lyric insert, and printed by Giant Iron Face

Niall Wright - Guitar/Vocals
Jonathan "Beefy" Kirk - Guitar/Vocals
James Wilson - Bass
Ben Palmer - Drums

Recorded by Kris Barker at Panacea Recordings, July 2012
www.panacearecordings.com 

Art, Design and Layout by Padraig O'Bogaigh
www.ladiespinchwhoresuserouge.tumblr.com 

www.facebook.com/seagravesuk 
www.seagraves.bandcamp.com 
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XII Boar - Split Tongue, Cloven Hoof.

Every now and again, things slip under the radar; Obviously besides running this website we have hectic lives and so it came to pass that I was offered this for review before Xmas, missed it, and then found it, listened, and then got sidetracked before getting the review online.
Apologies from the bottom of my blackened heart.

XII Boar (that's pronounced 12 Bore, shotgun fans), come bursting out of the military town of Aldershot in England with a quite frankly storming four track EP here.

In a time when a lot of underground English Metal sees bands becoming ever more enshrouded in weed smoke, or writing ever more arcane and occult lyrics, it is a refreshing change to see bands like XII Boar (and countrymen Mage and Asomvel, for example) who hold no qualms about writing a tune or two for you to have a few beers with your mates and stamp your feet to, songs that you'll enjoy just as much blasting out of your stereo as you drive down the motorway in summer heading the festival of your choice.

There's a perfect balance struck between the old-sound and feel of uniquely British groups like early Almighty and the transatlantic swamp-groove of the mid nineties, all wrapped up in a Motörhead shirt and bullet belt, with a slight Southern-states feel, although they come across a lot more homegrown than any of that.
At times, they are reminiscent of Uprising-era Entombed, or even mid-career Cathedral, it's just a shame that there's only four tracks on offer here as I think a full length release must surely be imminent.

So, what do we have?
The first track, Smokin' Bones, rolls out of the speakers all studs and headbanging, like the aforementioned Asomvel do so well, Tommy Hardrock's vocals and guitar giving it the whole feeling of twenty regal and a few cans on payday before you head to the pool hall to meet the lads; sliding effortlessly into a mid paced singalong that reminds me of proper british rock/metal like early Wolfsbane, especially during the solo (check out David's drumming in the background during the solo).
When the three of them (rounded out by bassist Adam Bad-Dog) jam it out at the end, it's a total fist in the air moment, and we are only four minutes into the EP!
Hellspeed Viper (boss title) starts off frantically, and also has the whole mid-nineties groove thiing going on - I know I've only just said this about the previous track, but these lads must play together every night because they fit together like a jigsaw.
They slow down about five minutes into the track where you can hear Bad-Dog's bass a bit clearer, it's only when they slow down that I guess you'd really class them as being "stoner" in any sense of the world; I'm going to cringe if I ever see anyone describe them as such.
Moving into Slamhound,  another greasy mechanic of a track, it's lead breaks, rolling drums and headbangable basslines right through, overlaid with catchy sing-along stile lyrics.  I can't wait to see this band live.
The closing track, Triclops is the band's tour de force, Adam and Tommy taking a line each at the mic whilst the music chugs away behind them, this is their most doomy song on the EP, encompassing many moods and ands with another great solo and the band bashing it out to the finish.

I can't believe I let this slip under the radar, as I am under no illusion that it would have been in my best of 2012.  I love this, good time classic rock style British metal.

It seems to me that British Rock/Metal is about to be back at the position I've been waiting for siince the early-mid nineties, and groups like XII Boar, Mage, Orange Goblin, Asomvel, Arkham Witch, Age of Taurus, Ravens Creed and Black Magician are going to be up at the forefront of it, and it's a very exciting time.

You can find the band at:
XII Boar .com
and also at:
Bandcamp
Facebook
Twitter

DO IT!